ACRE 3 Seminar – September 1 2017

acre3-fb-banner.jpgACRE 3 will bring together farmers, mental health workers,
artists and community leaders from regional Victoria and NSW to
discuss innovative and successful programs making a difference in
rural communities.

Presenters have provided the following abstracts:

Robin Yetman from the Patchewollock Music Festival:

An experiment with the arts to help create community pride and well being.

A description of how the Patchewollock Music Festival originated from humble beginnings and how a vision was created from a single idea. We will outline the subsequent growth of the festival over the years and the reasons for continued success showing how the event has been able to remain free to visitors and still be financially stable.

Robin will describe the resulting benefits to the local community and surrounding region, and perhaps what the future might be.

Alison Kennedy from the National Centre for Farmer Health,
(Hamilton VIC) ,

The Ripple Effect: bringing community together to beat rural suicide

The Ripple Effect is an innovative digital research project responding to higher rates of stigma and suicide in rural farming communities. The project has been designed to engage with Australia’s rural community and promote the sharing of personal stories and information, build understanding and facilitate communication. This presentation will highlight:

  • the groundswell of community engagement in the Ripple Effect project from across Australia and internationally,

  • elements of project design ensuring participants felt part of a peer-based Ripple Effect community,

  • examples of digital storytelling and postcards shared by members of the farming community with a view to reducing stigma, encouraging support seeking and, ultimately, prevent rural suicide and better support all those affected.

Rosie Johnston from Somewhere Down the Lachlan (Forbes

‘Since the very first time I travelled the stock route between Forbes and Condobolin in the 
mid eighties I was completely taken by the beauty of it all, marvelling at the enormous ‘long paddock’ that I knew to eventually wend its way further west. 

To me this was ‘real Australia’. I watched drovers move cattle serenely through long golden grasses, caressed gently by soft filtered sunlight. I witnessed the spray of white cockatoos rise from the enormous river red gums and screech 
their rasping song…’

 

Over these years I have seen the effect of drought and floods on agriculture and the tough times that small country towns seem to be facing… the empty shops in many main streets. It was with this in mind, in 2012, that I proposed to the Council and community a concept to create a world class “sculpture trail” similar to Sculpture by the Sea but permanent.

NSW), artist and farmer presenters Trevor Flinn (Dunkeld VIC) and
Peter Redfearn (Moulamein NSW)

TWIG stands as a shining example of how artists and farmers can work together to create events that not only bring communities together but also celebrate the individuality of each farming landscape.

Mutual respect between farmer and artist is a vital ingredient of a successful TWIG, with the visiting artist thriving on creative freedom, but also requiring a certain degree of creative input, periodic assistance and encouragement from their host.

By far the most important ingredient of TWIG is trust, which is something that has to be cultivated carefully in an age of increasing anxiety and cynicism.

The often surprising and memorable outcomes which resulted from TWIG injected those who took part with a renewed sense of optimism, purpose, enthusiasm, and connectedness, and occasionally planted the proverbial seed for ongoing collaborations between artist and farmer.     

Vic McEwan the Artistic Director of the CAD Factory, (Narrandera NSW)

We often discuss the impact that the arts can have in developing future artists and developing arts audience; but less often is the discussion had about the potential for the arts to address complex issues that exist for individuals and for our communities.

Vic McEwan will present example of his arts practice and the work of The Cad Factory, the multi arts organisation based in the regional town of Narrandera NSW which he runs with his partner, Sarah McEwan.

The Cad Factory’s deep exploration of ideas around mental health, environmental health and community health are leading the development of socially engaged arts practice that navigates the fine line between ethical community engagement and development of new modes of arts form; with the understanding that intrinsic to the very fabric of arts practice are ideas of communication, of discover and of truth.

ACRE 3

The art of farming, community and mental health seminar

Friday 1 September 10.30am – 4.30pm,
Swan Hill Regional Art Gallery. 

Enquiries and reservations: mdarroch@swanhill.vic.gov.au

The People’s Museum – August 2017

tools

 

Seeking contributers for The Peoples Museum, a collection of artefacts and stories from local farming families. 

Do you have something in your home or shed that has a funny, emotional, unbelievable or lovely story attached to it? It might be a story from yesterday, last year or from 100 years ago. We’d love you to send it our way to be in an exhibition at the Swan Hill Regional Art Gallery from 25 August— 15 October 2017.

 

Contact Kim Bennett 5032 5269 or kbennett@rav.net.au

 

ACRE news..

ACRE logoThere’s a whole heap of activity in ACRE headquarters in 2017.

Ian is currently liaising with a number of artists and activists to come and speak at the upcoming seminar ACRE 3, the art of farming, community and mental health. Put that in your diaries for September 1st!

Kim is talking with farmers about the upcoming exhibition The People’s Museum. She’s looking at finding some quirky farming items, and the legends attached to them. This exhibition will run in conjunction with the ACRE 3 seminar.

We have also just un-installed the Changing Now exhibition which attracted a number of participants across the region to respond to the theme of art in a changing climate.  The winner was a local emerging artist Cinaya Vargas, with her image Forbidden Future.

As always, if you are wanting to contact us about ACRE – please email itully@swanhill.vic.gov.au

Kim

Changing NOW

changing now winnerForbidden Future, Cinaya Vargas winner Changing Now prize 2017.

changing now

Changing Now, interpretations of life in a changing climate opened at the Swan Hill Regional Art Gallery on 26 May 2017. The non-acquisitive prize attracted entrants from across the region in a range of mediums. The winner was an emerging artist Cinaya Vargas. Her image Forbidden Futures depicts a distraught young woman standing in a barren, baked red landscape.

Fred Fowler, Barham TWIG Residency 2014 – images Greg Cruickshank

Carrie McGrath, Lalbert TWIG Residency 2014 – images Laura O’Dwyer

Trevor Flinn Speewa Hall Twig event

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The final Twig happened on the coldest night of Winter so far.. I thought it was going to snow!

Trevor pulled together pieces from each of the previous Twig residencies to create an evocative exhibition of rural-art, film, soundscape and sculpture.

A dedicated bunch came out in their beanies and long coats to experience the final Twig at Speewa Hall including each of the Twig residency farmers, Trevor’s parents from Dunkeld, a number of keen Twig followers from Melbourne and some first time Twiggers as well.

If you have taken any photographs during the Twig project – we’d love to see them! get in contact with us – at artgal@swanhill.vic.gov.au

Kim